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As television began to show its age, new treatments appeared in an attempt to remove the wrinkles European broadcasters rolled out PALplus in 1994 as a stab at enhanced-definition television (EDTV) that maintained compatibility with existing receivers and transmitters PALplus achieved a widescreen picture by using a letterboxed5 image for display on conventional TVs and hiding helper lines in the black bars so that a widescreen PALplus TV could display the full picture with extended vertical resolution Other ways of giving television a face-lift included improved-definition televisions (IDTV) that doubled the picture display rate or used digital signal processing to remove noise and to improve picture clarity None of these measures were more than stopgaps while we waited for the old workhorse to be replaced by high-definition television.

sion process, but due to the structure of the DD+ bitstream, the content from those channels is retained in the converted Dolby Digital stream by means of a downmix process that occurs in the Dolby Digital Pus encoder during the production process. However, only the 5.1 downmix of streams originally with 6.1 or 7.1 channels will be heard. Second, most of the extra features of Dolby Digital Plus have the greatest effect at very low encoding rates rather than at the data rates one would typically expect on a Blu-ray disc. DD+ is able to retain its level of perceptual quality at lower data rates, but in the moderate and higher data rate ranges that are more consistent with what would be expected to be used on a BD disc, the difference in quality between AC-3 and DD+ is actually quite small. Even though DD+ can support data rates as high as 4.7 Mbps on BD, such high rates would offer little perceived improvement to the audio experience in a 5.1-channel surround environment.

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HDTV was first demonstrated in the United States in 1981, and the process of revamping the boob tube reached critical mass in 1987 when 58 broadcasting organizations and companies filed a petition with the FCC (Federal Communications Commission) to explore advanced television technologies The Advanced Television Systems Committee (ATSC) was formed and began creeping toward consensus as 25 proposed systems were evaluated extensively and either combined or eliminated In Japan, a similar process was underway that was unfettered by red tape An HDTV system called HiVision, based on MUSE compression, was developed quickly and put into use in 19916 Ironically, the rapid deployment of the Japanese system was its downfall The MUSE system was based on the affordable analog transmission technology of its day, but soon the cost of digital technology plummeted at the same time as its capability skyrocketed.

Situations can arise where one party offers a number of media types and the responding party can support several of the offered media types. In the

Since cloud providers are in the business of having as many clients as they can get, that means your data could be sitting on a server with another client s data maybe even your competitor s.

Primary 172.16.1.2 192.168.1.2 Failover Link 172.16.1.3 192.168.1.3 Failed 172.16.1.3 192.168.1.3 Failover Link 172.16.1.2 192.168.1.2 New Primary Perimeter Router Internet Perimeter Router Internet

Back on the other side of the Pacific, the lethargic US HDTV standards creation process was still in motion as video technology graduated from analog to digital In 1993, the ATSC recommended that the new television system be digital The Japanese government and the Japanese consumer electronics companies which would be making most of the high-definition television sets for use in the United States decided to wait for the American digital television standard and adopt it for use in Japan, as well A happy by-product of HiVision is that the technology-loving early Japanese adopters served as guinea pigs, supporting the development of high-resolution widescreen technology and paving the way for HDTV elsewhere A European HDTV system, HD-MAC, which combined widescreen analog video with digital audio, was even more short-lived; it was demonstrated at the 1992 Albertville Olympics but was abandoned shortly thereafter.

Table 9-2.

Discussions had begun in Europe around creating a digital television format, which lead to the launch of the DVB (Digital Video Broadcast) Project in 1993 It became clear that the satellite and cable industries would be able to bring digital television to market before the terrestrial broadcast industries, which led to the development and launch of DVB-S in 1995, followed quickly by DVB-C, and finally by DVB-T in 1998..

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