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When uplink performance improves, the network becomes more and more downlink limited, and the effect of uplink improvement decreases. Indeed, the overall DL/UL IRC performance is practically identical to downlink performance, which means that the network is purely downlink limited. Most of the existing GSM networks are using UL diversity, therefore the-downlink quality in interference-limited areas tend to be worse in most of the cells. Single antenna interference cancellation (SAIC, see [5] and 6) is a promising capacity enhancement technique that applies only to DL, therefore it is important to evaluate with simulations whether uplink can be a limiting factor for SAIC gains. A SAIC receiver model was introduced in the simulator. The overall performance results are shown in Figure 11.17. MRC allows over 100% more load than single antenna reception, and IRC outperforms MRC by 25%. Downlink and uplink performances are shown separately in Figure 11.18. Both DL and UL become relevant limiting factors with MRC when SAIC is considered. Uplink with IRC still signi cantly outperforms downlink, and the network is still practically purely downlink-limited.

As you saw in the preceding exercise, creating buttons is not difficult. Moreover, although all four of the buttons you ve created so far use the Go to Layout command, you ve seen that the Button Setup dialog provides access to a great variety of commands. FileMaker buttons are an interface tool and have no meaning outside the layouts where they reside; they always act from the context of the layout where you place them. For some button commands such as the Go to Layout command context is not critical, and the command can be executed from anywhere in the file. Other commands, however, require access to the data structure of the file and are therefore constrained to operate from the perspective of the layout (and the TO associated with the layout).

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Each menu screen includes one or more drop zones, marked areas in which you can place movies, photos, or slideshows. Some menu screens display all their drop zones at once, but others play the drop zones in sequence, with only one appearing at a time. To see all the drop zones in the menu screen you re using, click the Drop Zone button on the toolbar at the bottom of the iDVD window. iDVD displays the Drop Zone Editor (shown in figure 11.24 with content added). To add an item to a drop zone, click and drag it from the Media Browser. For example: Still image. Click and drag a photo from the Photos pane. Slideshow. Click and drag a group of photos from the Photos pane. Movie. Click and drag a movie from the Movies pane (see the next section). When you ve finished editing the drop zones, click the Drop Zone button again to hide the drop zone editor and return to the normal display of the menu screen.

Whenever I begin the process of creating a Flash interface, I keep in mind one important factor: Once an interface is animated, it is intensely difficult to backtrack if the client should desire a change in the overall design layout. Although the greatest impact of a Flash site normally comes from it s animated elements, it is important to lock down an interface design that pleases the client from the very start. We have developed a process at Design Insites that works very effectively for conceptualizing and finalizing an interface design. This process normally begins with three roughs, which are three stylistically different interface concepts envisioned by the designer. These designs vary in look and feel, to give the client an opportunity to settle on a general aesthetic style for the Web site. Then we move onto the next phase, in which we provide three comprehensive designs that follow the same aesthetic theme of the chosen rough, yet vary in their execution of the layout structure. After the client has selected the final comprehensive, we then proceed to create a working model of the interface that includes the use of animated elements and functionality.

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